inkskinned:

i’m not writing a poem about you but kissing you made me forget how much the world hurts. i mean it’s okay though right. sometimes girls get like this, like our insides turn fairy white. i’m not writing you a poem but i want to make you flower crowns and talk to you about why grass is so green and spill things on your carpet because i’m too busy laughing. i’m saying i’m keeping busy pretending. i’m not saying i almost always think about you but sometimes i find myself smiling. i’m not saying you’re magic but i get lighter around you. how cheesy is that. i’m not writing you a poem but i want to bury myself in the nights we’re both brave enough. i’m not writing about you but yesterday i saw the sky and she was hungry blue and i really miss being able to hold you.

hiranyaksha:

Translation: 

Panel 1: You reclined slowly against the bed and curved the edges of your lips into a delicate smile–

Panel 2: I died that very moment. 

Panel 3: As I attempted to weave a garland of kisses as a gift for this god, I withered like a flower onto his chest. 

Panel 4: The concept of “two” melted under the heat of our breathing, 

Panel 5: and in our love we no longer knew where I ended and you began. 

Panel 6: I learned this upon the mattress, not the mosque*: 

Panel 7: This sinless enjoyment, this moment that drips and oozes with the very beauty of the Divine Itself

Panel 8: is dubbed by others as “Hellfire”; in that case, it is only their desire for Paradise that is superficial. 

This is chapter 29! Also it’s a poem written by ~yours truly~ because I’m a horribly cheesy person who writes love poetry on a regular basis…It’s an Embarrassing Akshay FactTM. 

*The Tamil words for “bed” (paLLi) and “mosque” (paLLivaasal) are both derived from the same root as “school” (paLLIkkoodam) and are all shortened as the same word (paLLi). 

chapter index

bubblineismyproblem:

writing-prompt-s:

Everyone has the date of their death tattooed on their arm at birth, however yours just says “TOMORROW” and has said that all your life.

The confusion and anxiety started when I was first born; my parents were both in tears, and all of the doctors offered their condolences.
The next day, I was alive and well, much to the confusion of everyone involved. Maybe it was a mistake? Or I would die the next day instead.
But I kept living.
My parents taught me to hide it, to lie about it. I always covered the tattoo up with long sleeves or ‘bandages’ during the summer. My mother had panic attacks regularly and rarely slept. My father insisted on always knowing where I was going, and constantly checked up on me. I was never left alone.
Eventually, when I was old enough to understand what the tattoo meant, and what death was, the anxiety hit me too. I was constantly worried, sometimes staring at the words late at night when I was alone in bed. It didn’t make any sense to me. It didn’t make sense to anyone. But my family and I had come to the agreement that under no circumstances was anyone to find out what the word on my arm really was.
Throughout the years of my life, the anxiety would come and go – why would I die now? But moments of fear still passed through me whenever I got into a car, or a friend dared me to go on a roller coaster. Some people called me a coward. I wasn’t a coward – I was confused. I was just trying to live.
A part of me knew I should be grateful, grateful for living so long for no justified reason. But I was too confused to care.
That is, until one day in my philosophy class, when we started discussing famous phrases and the meanings behind them. Class was normal – a little dull, a little quiet, but interesting enough.
Phrases entered and exited the discussion, and I occasionally listened to the discussion. About ten minutes before we were suppose to leave, the professor asked for one last phrase. A girl behind me raised her hand.
“Yes? What’s your phrase?”
“My phrase is ‘tomorrow never comes.’”
Those words hit me, consumed me, making me struggle to breath. Class went on as normal as I sat there, making sense of the words. How had I never heard that phrase before? I suppose my parents protected me from it. But how? It seems like a simple phrase that could be thrown around without anyone making much out of it. But then again, I suppose there’s really not many opportunities to use it.
Tomorrow never comes.
Tomorrow never comes.
Tomorrow never comes.
What did that mean for me?
I sat through the rest of my classes, thinking and barely acknowledging my lessons, eventually reaching the end of the school day. I reached into my pocket, pulled out my phone, and went to text my dad the news. The statement. But as I typed the words, the realization hit me.

Everyone else had dates written on their arm. Dates like “September 17, 2068.” Or “August 23, 2100.” But tomorrow isn’t a date. Tomorrow isn’t a date.
“Tomorrow never comes.”
I’m immortal.

whatis2plus2:

child-of-dolora:

patrickat:

child-of-dolora:

patrickat:

child-of-dolora:

patrickat:

child-of-dolora:

patrickat:

child-of-dolora:

patrickat:

Anyone want to write the poem that begins:

My name’s Valjean…

And ends with:

I steal the bred.

?

My name’s Valjean;

I know this nite

(though candlestix

are gleeming brite)

my sister’s childe

might soon be ded.

I cannot wait –

I steal the bred.

My name’s Javert
I gard the law.
You rob’d a house
That’s wat I saw.
Fiv years wer owed
Until you fled
Nineteen all told –
You stole the bred!

He was my guessed
At Bishop’s haus
And early left
(silent as maus)
But slipped his mind
on leaving quik;
forgot the best –
so take these stix!

My name’s Fantine
The nite is cold
To save my childe
Myself I’ve sold
All of ten francs
Is wat they sed
What can I do? –
I shav my hed.

I am Valjean
And none shall herm
Yur yung Cosette:
I keep her warm.
So sleep, Fantine
And she’ll be ther
when yu awake.
Here comes Javert!

Our nam, monsieur?
Thenardier!
For our gud dede
What will you pay?
5000 francs –
You get the gist –
And dear Colette
(:: elbows :: Cosette)
Will not be mist

Oh come now, you can’t skip my favorite song.

Wen yung I’d dreme
I’d meet a prinz
(but have you seen
wuttz happend sinze?)
He ain’t Voltaire;
this shitty louse
is master now
of publik howse.

I am Javert
My way’s the Lord
For thos who fall
The flam, the sord!
Let me see him
Saf behind bars.
There’s no escap –
I swer by stars.

The peepul sing
like angry men;
they will not be
those slayves agin.
there beeting hearts
like noisy drums –
there life restarts.
tomorrow comes!

Dont you fret
I feel no Payne
And won’t be hert
By falling rayne.

Pleese don’t die
Deer God above
I heel your wounds
With wourds of lov.

You keep me safe
That’s wat you sed
But looke monsieur –
‘Ponine is ded.

prompt: you meet an angel in a laundromat

boykeats:

the angel sits on top
of one of the washers, kicking
their not-feet in time
to the laundromat muzak,
humming along with
their guttural half-here
half-off in a distant
otherworld voice.

you’ve been watching
the angel for some time,
as they put their bloodied
robes & ragged sandals
on a spin cycle for delicates,
as they poured in soap
& counted out quarters,
but it’s only as you fold
your now dry duvet
that you realize their wings
are covered in a thousand
red eyes. you look at what
should be their face
& find the swirling
of the stars instead.

‘good morning,’ you say
as you pass them on your way
out. the angel grabs your arm.
their touch burns like ice
& makes you ache. ‘your son,’
the angel whispers, ‘tells me
that he is so so proud
of how you got sober. i placed
one hundred forty four
red roses in a vase
by your door. i will be back
next sunday should you need
to talk to someone.’

inkskinned:

i hate it but i want to be back where it was easy. i just mean i used to eat things without worrying. dessert coming first didn’t make me feel guilty, i didn’t have to say “we’re being bad tonight” and mean more than being unhealthy. when someone hurt you by accident they’d just say sorry instead of defending themselves why you deserved to get hit. stuff was easier. if you didn’t like her you just weren’t her friend. if you loved her you got married on the playground and nobody made fun of it. when you said “i’m tired” the teacher suggested naptime, not “get over it”. 

i know i’m an adult. i know it’s silly. i know i have plenty of things like mac and cheese and dino socks and a credit card i can use to buy pizza. but i also just want to sleep and wake up and start over. go back to where it went wrong and tell myself. it’s okay about the dessert and when they call you fat cover your ears. when he hits you, hit back, and get out of there. when she hurts you, stop talking to her, even if you’re worried you won’t have friends after. yeah, you like her, and people will hate you for it. kiss her anyway. be tired. but get out of bed, my love. take advantage of all of it. can i be my own guardian angel? go back in time and untangle all of it?

MY MOTHER ASKED ME TO STOP WRITING ABOUT HER  

 
When my best friend was a child, 
her mother used The Game of Life 
as a metaphor to explain sexuality. 
 
“You can have two pink guys  
or two blue guys, you know,” she explained.  
 
My best friend is so straight, 
she doesn’t even masturbate. 
 
Still, she always knew that even  
if she wasn’t, even if someday she ended up  
shotgun to another pink piece,  
 
she would remain loved and supported.  
 
She wouldn’t have to ask for forgiveness.  
Of all the things she was taught to apologize for,  
love has never been one of them.  
 

 
My mother doesn’t bring up my sexuality 
anymore. I think she is tired of arguing. 
 
She is sick of reading about her faults  
in my poetry. She hates my selective memory;  
how I only remember the sharp things,  
the slammed doors, the heavy whiskey.  
 
“I used to sing to you before bed  
every night,” she reminds me icily.  
“but you must’ve forgotten that story.” 
 
Last week, she silently folded up her old flannels 
and placed them at the foot of my bed.  
 
I know this is probably just a coincidence,  
not a peace treaty or an attempt to understand me.  
 
But for my own well-being,  
I have to take this as a sign she is trying,  
 
even if it isn’t.

MY MOTHER ASKED ME TO STOP WRITING ABOUT HER, by Blythe Baird. (via blythebrooklyn)