Not so happily ever after: Fairytales that lay undiscovered for 150 years tell stories of wicked step-fathers witch-slaying princesses and scared young princes

vinegardoppio:

While the well-known Grimm fairytales often feature a vulnerable princess and dragon-slaying hero, Schönwerth reverses their roles – offering readers powerful female and vulnerable male characters.

In Schönwerth’s fantastical version Cinderella, for example, the heroine uses her golden – not glass – slippers to rescue her lover from beyond the moon.

yoooooooooo omg

Not so happily ever after: Fairytales that lay undiscovered for 150 years tell stories of wicked step-fathers witch-slaying princesses and scared young princes

veliseraptor:

so I’m kind of a sucker for Redemption Equals Death because it’s sad and I’m a sucker for sad. but I also…idk, sometimes I wish it weren’t such an overwhelming trend, not only because All My Faves Wind Up Dead but also because…I want to see more villains actually going through the hard, messy work of redemption, that it can’t just be done and over with, that it’s not as simple as One Good Heroic Act and everything is better. 

I want the awkward and painful and difficult aftermath.

like, what I really want is the villain seeking redemption who is genre savvy enough to go for a redemptive death, figuring that’s their best way out – and who survives, and has to live up to what they meant to be their last act. 

rather than death as the end of a redemptive arc, near-death as the beginning of one.

I’m fighting myself. I know I am. One minute I want to remember. The next minute I want to live in the land of forgetting. One minute I want to feel. The next minute I never want to feel ever again.

Benjamin Alire Sáenz, Last Night I Sang to the Monster (via depressionheadlock)

33 Unusual Tips to Being a Better Writer

wnq-writers:

culturenlifestylevia James Altucher

Back in college, Sanket and I would hang out in bars and try to talk to women but I was horrible at it.

Nobody would talk to me for more than thirty seconds and every woman would laugh at all his jokes for what seemed like hours.

Even decades later I think they are still laughing at his jokes. One time he turned to me, 

“the girls are getting bored when you talk. Your stories go on too long. From now on, you need to leave out every other sentence when you tell a story.”

We were both undergrads in Computer Science. I haven’t seen him since but that’s the most important writing (and communicating) advice I ever got.

33 other tips to be a better writer:

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