megatome:

thunder-thighs-balmung:

Favorite video of all time, always reblog

this is easily the best one. the slight facial expression change once he finishes talking. the horribly unnatural fall into the water.
the nailed swimming animations.

the ragdoll. this man is a national treasure

sweetbonbonqueen:

Reblog to have something good happen at 1:42 tomorrow

michaeltunk:

Michael Tunk, NIGHTglo, 2016, analog collage, 9" x 12". *inspired by the collage work of Anthony Zinonos

melaninmedicine:

baker-p-i:

werethless:

micahhangelo:

Uh idk who is cuter

Bruh.

THE LIL BABY KISSED HIM WHEN HE WAS TALKING IN SLOTH TO HIM!!!!!

both of them are toooooooo fucking cute

theroguefeminist:

the common wisdom women are told not to have sex with a man right away if she’s interested in a deeper relationship because he’ll think she’s easy/cheap or get bored with her now that he’s gotten sex IS rooted in sexism BUT the actual advice to wait longer isn’t actually bad advice, it’s just the logic behind it has become warped to blame women for men’s misogyny

this advice probably stems from the fact many women experience putting out for men on the first date and then never seeing the relationship develop – but it’s not that a woman has missed out some deep, fulfilling relationship because she didn’t keep it in her pants long enough. it’s that the man wasn’t interested in a long term relationship with her but saw sex as an opportunity. in all likelihood he was only interested in sex to start or, once he decided he wasn’t interested in her specifically, pursued sex anyway bc, to the entitled male psyche, why not? even if a guy was so hypocritical and sexist as to dub a woman cheap, then sleep with her anyway, none of that is a woman’s fault. in either scenario: the man is still using you for sex, nothing more

there’s actual logic in holding out on sex if you have a deeper interest simply because it helps you weed out the assholes who will fuck you under false pretenses. women are told having sex early on undercuts their value to men, but really the men who “hit it and quit it” have already undervalued women as a whole anyway and never were interested in a deeper relationship to start

peroxider:

darkwebdad:

listening to phil collins

I hope that all internet content is obliterated except for this video

Yo how do you decide on how you set up your panels? They look visually interesting and even where legolas’ cloak touches the speech bubble doesn’t make it looked cramped somehow? Plus when you have the panel itself become like a share (the starburst one when Legolas jumps up for example)…. I suck at panelling, so any tips would be appreciated ;-;

jadenvargen:

its usually just a lot of experimenting and trying out different solutions before arriving at something, i dont really have a really special way cuz… i also feel insecure about paneling actually ha..ha but!! i really wanna do whatever i can to help so, heres the stuff i usually think about!

in film theory theres a line of filosophy that states that you create more meaning in the relationship between two shots back to back than a single shot. i kind of co-opted that, but for comics! always think about your panels in relation to each other. working super long on one panel to make it snappy, but then neglecting how it looks with the others,

in line with this, never think about just one panel at a time- work on them all simulataneously when storyboarding to see how they flow with each other.

ALSO also related to this- though this is just my opinion- avoid decorating one panel specifically so that it disturbs the reading flow. i have trouble focusing, so this may just be me, and disclaimer for the example i’m about to use- naoko takeuchi is extremely talented and deserves all the success she has, and shes a way better storyboarder than i could ever hope to be. but i mean like this, for example.

the scotch pattern is really cute, but it ruins the reading flow for me totally together w the stark black line between them if you use decorative panels, i’d say use them in a way so that they flow together, or that the decoration goes from panel to panel, connecting them. again, super subjective, but its something i personally think about

always think about how text will look when inserted! dont draw a nice drawing for then to have no space to put text.

try out A LOT of different layouts.

always have coherence first. even if you wanna do something artsy, thats not worth much if no one is gonna understand anything. so study as much as you can about how the mind reads panels and text. this varies from country to country, but its worth noting still no matter what style you end up drawing.

and last just basically read a lot of comics and study what you like/don’t like about them!

alternate panel sizes and shapes!

also, when you sketch up ideas for comics, make them on physical paper if you can, cuz its easier to compare the pages to each other, as well as better gauge how it reads since most people are more used to reading physical comics than on a screen. i have a sketchbook specifically for comic layout sketches, and it looks like this:

that’s.. i think everything i think about so… ehhh i hope it helped and was coherent… .

cosmoscenti:

cheesoisuncool:

shower gel label: immerse your self in this new “Me Time” luxury fruity tooty. abandon all sense of identity and dissolve Your memories into this soothing chemical broth One billion melons are in this tube… use them wisely

@thebaebadook

dezaki:

heart cocktail – seizo watase