Celebrated in Thailand every April 13-15, Songkran is the New Year’s holiday famous around the world for it’s water festival. For many visitors to the Southeastern Asian country, it’s primarily just an excuse for an epic water battle in the streets of a tropical paradise. For Thai people, though, the holiday is also a time to do good deeds and spend time with family.
The name of the holiday is derived from a Sanskrit term that describes the movement of the sun through the sky as the seasons change. Traditionally, Thai people celebrate Songkran by visiting temples to pour water over statues of Buddha, or by visiting elder relatives to pour water over their hands. These acts are known to be symbols of purification — a spring cleaning of sorts. And in a place where daily temperatures reach highs of 88°F in the month of April, it’s easy to see how the tradition might’ve evolved into the all-out splash-fest it is today.
The water festival is now so well established, some cities shut down busy streets during celebration days, allowing participants to safely soak anything and anyone that crosses their paths. So if you’re strolling around Thailand in mid-April and a total stranger douses you with water, consider it a compliment!
I don’t really know what people generally call this method of sigil making, so I’m just calling it “Letter Shaping” because you’re using the basic shapes from certain letters. This is the most common form of sigil making, and it allows the most creative influence. As you see above the sigils are for nearly the same thing, yet the sigils came out completely different. Not because the purpose was different, but because I approached them both a different creative way, and that’s what I like so much about this method. There’s a lot of freedom and personalization involved.
draw fast. it’ll look messy for a long time but you’ll improve faster than if you spend 4 hours on every drawing
if you draw in pencil and have a habit of erasing all of your mistakes, try drawing in pen or marker. i know it’s scary but it’ll help in the long run (i’m speaking from experience)
try different methods and mediums but don’t worry about mastering any of them, just have fun
if you’re not rich, buy art supplies from the dollar store, not the art store (seriously. i go through a sketchbook about once a month and i’d rather spend $4 on one than $15)
there’s no wrong way to learn. you can copy other people’s art if you want to, just don’t post it
DO NOT worry about having a consistent style. do not. just draw however you want
if you want to make original characters then do it. don’t worry about if they’re original, or a good design, or if they have an accompanying story. make sonic ocs. do it. it’s fun and it’s not hurting anyone
try not to kill your back. stand up and stretch once in a while
make a folder and save all of your favorite arts for inspiration
draw from life. draw your dog. draw your teachers. draw your desk. draw your own hands (seriously that’s the best way to get better at drawing hands)
in general, drawing from life or a photo is better than drawing from a diagram
draw whatever you want. draw youtubers if you like youtubers. draw undertale if you like undertale. when i was a kid i drew nothing but shadow the hedgehog and horses. everyone deserves to draw what they want without being mocked, and if people start making fun of you, block them and keep drawing
don’t expect to get any notes at first. don’t let it discourage you. if you want validation go show your art to your mom or your friends or your teacher or your grandma
Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rexand was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside thet-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
Plus, you know, Jurassic Park had a plot and well-written characters? So you weren’t even that surprised the dinosaurs were there – suspension of disbelief at its finest.
Hello everyone! This is my very first font pack. Since quite a number of people have asked what are my font recs, I’ve decided to compile a collection of my favourite fonts. I hope you like it!
Fun fact: Tenochtitlan fell in 1521. From 1603 onwards, large numbers of honest-to-god fricking Japanese Samurai came to Mexico from Japan to work as guardsmen and mercenaries.
Ergo, it would be 100% historically accurate to write a story starring a quartet consisting of the child or grandchild of Aztec Noblemen, an escaped African slave, a Spanish Jew fleeing the Inquisition (which was relaxed in Mexico in 1606, for a time) and a Katana-wielding Samurai in Colonial Mexico.
Also a whole bunch of Chinese Characters BECAUSE MEXICO CITY HAD A CHINATOWN WITHIN TEN YEARS OF THE FALL OF THE AZTEC EMPIRE.
remember being little and thinking dandelions were fun or a pretty color or something and every adult in an 80 mile radius wouldn’t let you say that without screaming ITS A WEED
also like:
dandelions are edible, easy to grow, and are rich in vitamins a, c, k, beta-carotene, calcium, iron, manganese, and potassium
dandelions can be made into wine, tea, soft drinks, and a coffee substitute
they are used in herbal remedies to treat liver and digestive problems and as a diuretic
they’re good for bees!
they make good companion plants for various herbs and tomatoes; their long taproot helps bring up nutrients in the soil and they release ethylene gas which ripens fruit
dandelions secrete latex which means they can be used to make natural rubber
they make great flower crowns
Why ARE they considered a weed? They’re a good flower? Who decided they were bad? =(
You can also make beautiful jelly from the blossoms!
They’re considered weeds because they were a poor person resource and not having them was a status symbol.
Let’s back up.
In Europe dating back to the 1500’s and even earlier, you could only have immaculate manicured lawns if you had just pots of money and were able to own land. So, rich nobility had swaths of land, and they demonstrated their wealth and power by hiring people to physically cut the grass and keep their gardens and dig weeds out of the turf by hand. It was a demonstration of money and power. It said “I can afford to have eight people employed full time just to dig things that aren’t grass out of my grass. I can afford to have all of this land doing nothing. It’s not producing food. People don’t farm it or live on it. I can afford to just grow grass, and have someone tend to that wholly useless crop.”
Fast forward a few hundred years. Europeans come to America. Many of them are from the poorer classes in Europe. Many have never owned land before, and now all of a sudden they can (because they stole it from the Native Americans but that’s a whole other rant.)
Now, at first you see little cottage gardens like the lower classes in Europe always had around their homes; places where they grew food and herbs and kept chickens or other livestock. Dandelions were welcome here; they were eaten and brewed into wine and used for medicine, just as they’d been for centuries.
But then people start making a little money, and we have the whole phenomenon of people who can demonstrate that they are Moving Up In The World by buying all of their food and medicine, just like the old landed gentry back in the Old Country. So they do. What goes in the place of those cottage gardens? Why, the same thing that went in the place of productive land back in the Earl of Chatsworth’s front lawn; a lawn.
So. Dandelions were a symbol. They were a throwback to the old days. They were a sign that you were somehow less prosperous than your neighbors, or lazier. (A Mortal Sin in America.) But, many Americans work, and can’t afford to hire a gardener just to grub dandelions out of the yard with a trowel all day.
Enter the lawn care industry, which began to market a dizzying array of poisons and fertilizers aimed at making your lawn a sterile moonscape where only grass grew with minimum effort from the homeowner. This continues to this day and is a multibillion dollar industry that has huge negative impacts on the environment and human health, but we can’t seem to shake that old ideal of a manicured lawn.
We pour water on deserts and poison on native wildflowers to attain it. We expose our children to poisons. We poison pollinators and pets. The days where we recognized a well kept lawn as a symbol of aristocratic leisure are gone, but we’ve been successfully fed a lie that some dandelions and chickweed are Bad by the lawn care industry in their ads for decades. They, obviously, want to keep it going because they’re making fat $$$$$$$ off of us.
THAT’S why dandelions are viewed as weeds.
Also yeah dandelions are really good for bees, and beloved by native bees and honeybees alike. So please, leave them blooming!! You can support bees and do your bit to smash capitalistic exploitation of the working class and the environment all in one go!
I don’t work at Cartoon Network any more. But I’m going to give you a very quick portfolio review in hopes that you find it helpful!
Here are some things I noticed when looking at your stuff – lessons I learned from brilliant people while working on AT for two years:
1) AVOID SYMMETRY. Humans are organic, randomly shaped animals. Perfect symmetry rarely exists in nature and if it does, it’s conspicuous – it’s the exception rather than the rule. Find interesting ways to throw your characters off-balance.
Don’t repeat objects in twos – (buttons or rips or whatever) – it feels prescribed – cluster things in threes or fives if necessary.
2) AVOID CONCAVITY – I don’t know what else to call this. But it’s those lines that go “in” rather than “out”. You are using inward sloping lines to describe many of your characters. As an exercise, try using outward, rounded, voluminous lines to draw EVERYTHING. Humans are fleshy lumps connected together by other fleshy lumps. Each mass is either in front of or behind other masses and as a designer, it’s your job to tell the animator where it is. As a designer, you are providing a technical blueprint for the location of masses.
Only occasionally allow a concavity to connect two convexities. Look at the work of Robert Ryan Cory (spongebob), Tom Herpich (Adventure Time) or Phil Rynda (AT / Gravity Falls) – master character designers – for examples of this. If you need to, trace a couple of their drawings and you will see what I mean.
3) AVOID GRAPHIC DETAILS – Some shows use a graphic style; it’s very appealing and looks clever when done right. But in animation, everything needs to move in space – so if you use a graphic element – it needs to correspond with an actual 3D thing that can move. Therefore it is better to start with a voluminous style and then revert to graphic elements where appropriate. Art directors will look for this. Do not jump straight to graphic representation if you do not yet know what you are representing.
Look at the work of Tiffany Ford and Jasmin Lai for amazing examples of volume expressed graphically.
4) STUDY JAMES MCMULLEN – To truly understand volume, and fully respect your subject, you should read very carefully High Focus Figure Drawing by James McMullen. Slow down and think about drawing “around” your subjects. It’s a truly meditative experience when you get there. Think about the weight and mass that your characters, props and effects are experiencing. Many students from SVA – Tomer Hanuka, Becky Cloonan, Rebecca Sugar, James Jean – studied under McMullen’s philosophy and you can see this common richness in their work.
Jeffrey Smith, a top student of McMullen’s now teaches life drawing at Art Center. These are two of the best illustration schools in North America – anyone who is interested in drawing living things, should probably read his book.
Also look at the work of Andy Ristaino or Danny Hynes – two other character designers’ whose work is seething with volume.
I hope this is useful and I hope you have a wonderful career.
this is so 100% Lebanese. everything from the dumpster rolling down the street, to the old fashion mercedes, to the soft french music playing in the background, to the scenery, to the random dude stopping his car on the highway to get out, to the two dudes on the mo-ped beeping and driving up the street the wrong way. Modern Art.
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